(15 találat)
# Cím Abstract Szerző Folyóirat Oldalszám
Megjegyzsek Lajtha Lszl szerendzenjhez - Bir Viola 2013., 51. évf. 3. szám 323. - 334.o
Johann Sebastian Bach kanttastlusnak vltozsa - Dinys Soma 2013., 51. évf. 2. szám 209. - 243.o
Bartk Bla szlovk npdalfeldolgozsainak dallamanyaga - Erdlyi-Molnr Klra 2014., 52. évf. 1. szám 99. - 119.o
Ligeti Gyrgy zongoraetdjeirl I. abs.
Work on the doctoral thesis (DLA) by Mariann Marczi discussing Gyrgy Ligeti's piano etudes started in the spring of 2005 and ended in 2008. The central part of the thesis includes analyses of the three books of Ligeti's etudes, altogether 18 pieces. This number of the magazine features the chapter dealing with the ars poetica of Ligeti's etudes (the Hungarian translation of three Ligeti texts), and the chapter summing up the results of the analyses. The latter discusses the message of Ligeti's etudes, the influence of his childhood experiences on his compositional methods, and the importance of the sources of inspiration frequently mentioned by Ligeti himself. The author considered it important to highlight the following influences among the many: the works of Chopin, Schumann, Brahms, Liszt, Debussy and the folk music of the Balkans, from the European tradition; Central African, Javan, Sumatran, Gamelan, Cuban and jazz music, from non-European musical traditions; Conlon Nancarrow's etudes for mechanical piano, from contemporary music literature; Maurits Escher's graphics, from fine arts; the structure of mathematical fractals from science; and the works of D. R. Hofstadter from philosophy. (Analyses of two etudes will appear in the next number of Magyar Zene.)
Marczi Mariann 2010., 48. évf. 3. szám 355. - 367.o
Ligeti Gyrgy zongoraetdjeirl II. - Marczi Mariann 2010., 48. évf. 4. szám 459. - 468.o
Novellk mennyei terjengssge: Schumann mveinek intertextulis rtelmezsi lehetsgei abs.
The Heavenly Length of Short Novels
Interpretative Possibilities of Intertextuality in Schumann’s Works
Yusuke Nakahara

The study deals with the interpretational possibility of some early piano works by Robert Schumann. His attitude both as critic and composer may allow us to use imagination on his work and therefore we can find „heavenly length” in his works as well as in the novels by Jean Paul. The study is primarily concerned with intertextuality, which Schumann often used, and tries to analyze the strategy of its usage. It is important to know where these intertextualities are localized within the composition and in what way they are different from the original. Differences in tonality and/or melodic structure, or the lack of difference can be equally telling. By concerning ourselves with these points, we can read deeply his works and thus become a „secret listener” of him.
Nakahara Yusuke 2010., 48. évf. 1. szám 84. - 103.o
Lichtenberg Emil s egyttesei - Nmeth Zsombor 2014., 52. évf. 4. szám 461. - 477.o
Artikulci J. S. Bach hat csellszvitjben : A forrsok s a kritikai kiadsok problematikja, 2. rsz - Scholz Anna 2011., 49. évf. 4. szám 487. - 503.o
Artikulci J. S. Bach hat csellszvitjben, 1. rsz : A forrsok s a kritikai kiadsok problematikja - Scholz Anna 2011., 49. évf. 3. szám 353. - 365.o
Lajtha Lszl fiatalkori zongoram?vei - Szab Ferenc Jnos 2013., 51. évf. 3. szám 335. - 350.o
Liszt ujjlenyomata : Liszt Ferenc ujjrendjei az 1830-as vekben - 1. rsz - Szab Ferenc Jnos 2012., 50. évf. 2. szám 217. - 229.o
Liszt ujjlenyomata : Liszt Ferenc ujjrendjei az 1830-as vekben - 2. rsz - Szab Ferenc Jnos 2012., 50. évf. 3. szám 349. - 357.o
A veszprmi pontifikl - Szaszovszky gnes 2013., 51. évf. 1. szám 93. - 112.o
Egy antiklasszikus klasszikus : Alla danza tedesca - Tornyai Pter 2014., 52. évf. 2. szám 175. - 203.o
"nek ?rzi az id?t" : jra a Bartk-egynem?karok szvegforrsainak nyomban - V. Sz?cs Imola 2014., 52. évf. 2. szám 205. - 223.o